Random MCU Movies Touched On Serious Real-World Issues (12 items)

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  (#5) The Avengers: Age of Ultron

  • Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Don Cheadle, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Stellan Skarsgård, James Spader, Samuel L. Jackson

  Tony Stark is almost solely responsible for the events that spark Ultron's devastation in Sokovia, all because Tony thinks he is responsible for -  and also the only one capable of - protecting the globe. The true impetus behind the conflict in Age of Ultron stems from Tony's god complex. No matter how well-meaning his intentions, it's a sign of his increasing struggle with a sort of benevolent megalomania. And, as a god complex would imply, there's a delicate and almost conflicting balance between Tony and his "child," Ultron, whom Tony invents to protect mankind.

  However, the real-world concerns regarding the application of artificial intelligence also fuel the dramatic tension, as Ultron represents the extreme of mankind's fears over AI robotics. Knowing he is smarter and better than anything else, Ultron sees no reason not to subjugate those weaker than himself. As many futurists and tech-alarmists have postulated, the rapid-learning algorithms and self-evolving programming of AI could easily lead to a shift in the dominant role humans play on the planet. In Age of Ultron, these fears are made manifest in the eponymous villain.
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  (#9) Avengers: Endgame

  • Robert Downey Jr, Josh Brolin, Mark Ruffalo, Tom Hiddleston, Chris Evans, Chris Hemsworth, Jeremy Renner, Chris Pratt, Elizabeth Olsen, Benedict Cumberbatch, Evangeline Lilly, Karen Gillan, Anthony Mackie, Tom Holland, Zoe Saldana, Dave Bautista, Paul Bettany, Scarlett Johansson, Jon Favreau, Gwyneth Paltrow, Sebastian Stan, Don Cheadle, Pom Klementieff, Paul Rudd, Brie Larson

  Amid the epic battle scenes and long-awaited superhero team-ups, the final two Avengers films are filled with small, poignant moments of humanity and pain that paint a stark portrait of suffering in the face of loss and tragedy. As Thanos strives to halve the population of the universe - under the self-deluded guise of being a savior - he leaves swaths of casualties and broken families in his wake.

  Long before he snaps his fingers and instantly dissolves half of the beings in the universe, he was already going from planet to planet ruthlessly slaying millions with his armies. The painful tendrils of this villainy can be seen in Gamora - who was "adopted" by Thanos after he offed her family - as well as Drax, who is driven by an undying need for revenge over the execution of his family. 

  The ramifications of real-world genocides are mirrored in the film's portrayal of how trauma can change the course of people's lives. The pain of real genocides still lives on in the children and grandchildren of those impacted by them, in the same way that Thanos's genocidal actions inexorably changed those whose lives were uprooted by them.

  Even in a more direct sense, the pain and psychological trauma of genocide can be seen in Endgame when, five years after the Snap, Steve Rogers attends group therapy sessions where people lean on one another to find comfort and support while struggling to deal with their unimaginable losses.
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  (#6) Iron Man 3

  • Gwyneth Paltrow, Robert Downey Jr., Ben Kingsley, Don Cheadle, Guy Pearce, Stan Lee, Paul Bettany, Jon Favreau filmography, Rebecca Hall, Fan Bingbing, James Badge Dale, William Sadler, Miguel Ferrer, Stephanie Szostak, Ty Simpkins, Ashley Hamilton, Dale Dickey, Yvonne Zima, Justin Wheelon

  Tony Stark goes from an amoral playboy billionaire in Iron Man to a drunken, frightened self-described savior in Iron Man 2. Stark's appearance in Iron Man 3 continues his incredible arc as it reflects the emotional and psychological toll of the Battle of New York, as seen in The Avengers. The sight of the devastation, the truth of the real scope of the universe, and Stark's own near-death experience (when he literally flew through a cosmic wormhole and saved the globe from an alien invasion with a nuke), have all coalesced into some severe emotional damage and PTSD.

  Stark is struggling with panic attacks and self-doubt, he can't sleep, and he heartbreakingly summarizes his struggle when he tells his girlfriend/business partner Pepper Potts, "Nothing's been the same since New York. You experience things, and then they're over and you still can't explain them? Gods, aliens, other dimensions, and I'm just a man in a can." The issue begins to get worse and worse, and Stark is crippled with his anxiety and fear when faced with thinking back on his own experiences. But he manages to move forward and work past his barriers.

  The film's representation of PTSD and trauma has been lauded and Robert Downey Jr.'s performance has been celebrated for realistically depicting the debilitating impact PTSD can have on anyone - even someone as self-assured and cocky as Tony Stark. While the real roots of PTSD can be wildly varied and manifest in myriad ways, Iron Man 3 is an honest look at the problem and a remarkable demonstration that trauma can affect anyone - and it doesn't make them weak, it just makes them human.
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  (#11) Captain America: The First Avenger

  • Samuel L. Jackson, Chris Evans, Tommy Lee Jones, Natalie Dormer, Hugo Weaving, Hayley Atwell, Stan Lee, Amanda Righetti, Jenna Coleman, Stanley Tucci, Richard Armitage, Laura Haddock, Sebastian Stan, Toby Jones, Dominic Cooper, Neal McDonough, Derek Luke, David Bradley, JJ Feild, Anatole Taubman, Colin Stinton, William Hope, Michael Brandon, Spencer Garrett, Lex Shrapnel, Kenneth Choi, Erich Redman, Simon Kunz, Amanda Walker, Doug Cockle, Ben Batt, Michael Swan, David McKail, Graham Curry, Ben Uttley, Katherine Press, Vincent Montuel, Peter Stark, James Payton, Nathan Nolan, Jan Pohl, Matt Kohler, Joshua Margulies, Jack Gordon, Geoff Searle, Martin Sherman, Nicholas Pinnock, Kirsty Mather, Teresa Mahoney, Paul Davies, Patrick Monckeberg, Sam Hoare, Oscar Pearce, Leander Deeny, Marcello Walton, Sophie Colquhoun, Damon Driver, Ronan Raftery, Martin Poole, Fernanda Toker, Matt Tyzack, Brian Niblett, Rosanna Hoult, Jacob Johnston, Sergio Corvino, Michael Aston, Luke Allen-Gale, Nick Hendrix, Marek Oravec, Michelle Antrobus, Bruno Ricci, Scott Ford, Addison LeMay, Mark Callum, Mark Badham, Kevin Millington, Darren Simpson, Mollie Fitzgerald, Nicole Evans, Adam Birch, Michael Humphrey, Drew Sherman, Nicole May, Jennifer Abbotts, Megan Sanderson, Emma Harris, Paul Bergquist, Gregory Paulett, Rosie Pethullis, Stevie-Jean McGuire, Danielle Kelly, Paul Simmons, Marc Wheeler, Lucie Waugh, Lucy Dean, Wiliam Morris, Erin Dusek, David Sdall, Stephanie Jayne Thompson, Rachel Quartley, Caroline Royce, Jessica Powell, Chris Diggle, Sarah Riches, Lizzi Franklin, Anna McNicholas, Naomi Slights, Rachael Isherwood, Maxwell Newman, Billy Lozowski, Richard Freeman, Kieran O'Connor, James Chahine, Todd Von Joel, Joe Garvey, Adam Kent, Colin Reilly, Robert Clayton, Chris Jorie, Alan Mandel, Sy Turner

  The threat of the Nazi-esque Hydra organization has cropped up again and again throughout the MCU, and like the Nazis themselves, Hydra has threatened the peace, stability, and very existence of humanity. However, in Captain America: The First Avenger, the actual, nightmarish reality of the Axis powers isn't just alluded to - it's the real historical backdrop for the entire film.

  Before getting the super soldier serum that eventually turns him into Captain America, Steve Rogers is just a scrawny kid from Brooklyn with an unimpeachable moral compass who wants to do anything he can to join the army and fight the Third Reich. His story mirrors the famous exploits of Audie Murphy, who lied about his age to join the army, was almost turned down for being underweight and sickly, and then went on to be a war hero, honored with every single combat award given by the US military - as well as the Congressional Medal of Honor for his heroic bravery.

  Having Captain America fight Nazis is also a call-back to the character's impact on the real propaganda materials of the time. While Captain America, in the films, served as a recruiting tool and walking advertisement for the war effort and a morale booster, the same was true of the Captain America character in comic books after he was introduced in 1941.
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  (#10) Guardians of the Galaxy Vol. 2

  • Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Sean Gunn, Glenn Close, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Kurt Russell

  There's a famous, deeply influential quote from the great American playwright August Wilson that states, "When the sins of our fathers visit us we do not have to play host. We can banish them with forgiveness." The concept of living under the shadow of one's father is a universal one - even more so for those who grew up under the iron fist of a tyrannical disciplinarian. And for the characters in the MCU, this seems to be a particularly prevalent theme.

  Some characters have more complex relationships with their parents based on their desires to impress or best them - such as Tony Stark's emotionally strained bond with his father Howard Stark, or Thor's attempts to live up to his father Odin's expectations. However, the MCU has also explored the echoing ramifications of emotionally and physically abusive fathers, and the psychology of abuse itself.

  Look at Ego the Living Planet in Guardians of the Galaxy Vol. 2 and Thanos in Avengers: Infinity War. Ego is the absentee father of Peter Quill; after reconnecting with Peter, he wants his son to follow in his footsteps. When Peter resists - specifically after discovering that Ego was responsible for his mother's cancer, and thus her demise - Ego flies into a self-entitled rage and tries to slay his own son.

  As for Thanos, he is the "adoptive" father of Gamora (which is really the closest term to use for essentially snatching her after wiping out her family). He, like Ego, trains Gamora to follow in his footsteps, but ultimately sacrifices her for his own ends, because he can't love anything more than his own blind ambition.

  However, it's interesting to see how Marvel portrays both Ego and Thanos not as remorseless villains, but rather as powerful figures who have been consumed by their own passions, and have managed to convince themselves that their behavior and actions are appropriate. They don't hurt their children for joy, but because their warped minds have convinced them it's the only option. It's a disturbingly nuanced look at familial mistreatment and excuse-making.
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  (#2) Captain America: Civil War

  • Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, Daniel Brühl

  In the first act of Civil War, the Avengers find themselves in Lagos, Nigeria, in an effort to stop terrorists from swiping a biological weapon from a lab. In the ensuing conflict, Scarlet Witch telekinetically redirects an explosion that would have wiped out her comrades, but inadvertently takes out a number of Wakandan humanitarian workers. It leads to public outrage over the Avengers operating without permission on a global scale - not to mention severe guilt for Scarlet Witch.

  The conflict, however, mirrors the real-world debate over interventionism and America serving as a world police force, operating with semi-legal jurisdiction in countries across the world under the pretense of protecting global peace. The debate over American interventionism has raged for decades, with arguments for and against isolationism and increased oversight, all of which play out to different degrees in Civil War, and it adds a uniquely distinct realism to the drama. It's not about good guys versus bad guys, but rather nuanced political philosophy.

  The events in Lagos lead to a call for the Avengers to be overseen by a panel of United Nations politicians who will control the authorization of future operations. Tony Stark and Steve Rogers find themselves divided, with Stark arguing that oversight is important for transparency, while Rogers argues that politicians with potential ulterior motives shouldn't dictate when or how the Avengers save the world.

  This, too, reflects the long-fought argument over government oversight of organizations, such as the Center for Disease Control or the World Health Organization, and the question of whether or not those organizations' efforts are impacted by the politicians who may or may not dictate their objectives.

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